Then I started thinking of the movie Deskset. Rodney is the brilliant head of some company's research department, and Sheppard just pops up one day asking bizarre questions and measuring Rodney's office space, and Rodney's left going whahuh when everything comes out, because this--slowtalking prettyboy who keeps snarking at Rodney and getting in his way and charming all of the girls in the office and maybe isn't as annoying as Rodney initially thought he was is the math whiz who built EMERAC?)
Rodney, it's an open secret that he's aggressively bisexual, but he has a patent on something that he allows the company use of, so he's essentially blackmailing them into giving him free reign in his department (a sort of R, R & D: reference, research and development) and in his private life. He spends his meager spare time either sniping at his underlings, or with that fuzzy haired man with the suspicious accent (this is Soviet era, after all) who Rodney supposes is in his department, because he's around all the time, but he's always working on these absurd math puzzles he says he got from some magazine--Rodney takes to working on the puzzles with him when he gets the chance and/or the guy's stuck on something.
He's working out one of Roger's (is that even his name? Rodney isn't sure) puzzles on a chalkboard, and scribbles out some multiplication off to one side, when this voice behind him says, "1,242,131.73 feet," from over his shoulder, and he turns around to this guy. Standing around in a slouchy suit and uneven tie, with really ridiculous hair, and the guy smiles (in what Rodney will admit is a very charming way) while Rodney glares back at him, thinking he's obviously saying some random number just to be a nuisance. He says something suitably cutting about accountants wandering into the wrong department and turns away, and by the time he's finished the calculation and realized the guy was right, he's already left the room. And that's how he meets John Sheppard. Then a few hours later, Elizabeth, who's head of HR--the first female department head, actually--brings him and formally introduces him.
John's completely unintimidated by Rodney, which is annoying yet novel in an intriguing sort of way, especially since he doesn't seem to be doing any actual work, just hanging around and being nosy and getting in Rodney's way. But in a way that Rodney kind of gets to like.
I haven't worked out the whole going to Rodney's place and clothes-in-the-oven part yet, or the concept of Rodney actually having a significant other the way Bunny did (Rodney wouldn't be with someone he couldn't respect, I don't think, and he couldn't respect anyone who behaved at all the way the movie character did. Maybe Grodin, because he's nice, good at what he does, handles Rodney fairly well, but he just doesn't have that spark that Rodney and John do).
But at the Christmas party, Rodney's kind of rambling drunkenly at John, because Rodney's used to people being scared of him or hating him or fucking him or even respecting him, but he's not really used to people liking him, and Sheppard really seems to like him. But he was military, and there's no way, and Rodney's honestly surprised that Sheppard hasn't just punched him by now. And Sheppard's staring at him in that bemused Sheppard kind of way and says, "Rodney, take a wild guess as to why I'm not in the military anymore." And Rodney, because even when he's drunk he's still brilliant, twigs immediately and goes, "oh," and John explains that yeah, he was discharged when his *cough* male-bonding extra-curriculars came to light--very quietly though, because his General Daddy didn't want the family disgraced. John was also promptly disowned, but hey, looks like those degrees he needed for officer-hood came in handy after all. And they're awkward for a minute before they're interrupted by the rest of the drunken people stumbling in singing.
Not long after that Rodney puts two and two together--degrees? math stuff? office gossip, things like that--that this isn't just any John Sheppard, this is Dr. J. Sheppard, who wrote some really insightful article in some math journal the year before, and who helped build the new computer for IBM. Which must be why he's there. And Rodney's just utterly betrayed when he realizes that Sheppard's really there to replace with him some...some overgrown abacus. He corners John about it, and finds out that yes, he is that Sheppard, and yeah, he does the stuff and writes the papers and did the doctorate thing, but he really just likes messing around with the machines.
Oh, and Carson is the EMERAC person after it's installed, all fussy and highstrung about it, and he loses it when everything goes haywire and Rodney's strolling around enjoying the chaos and quoting obscure poetry and John fixes it with a hairpin or something--"Dr. Sheppard, I'm just a technician. How'm I supposed to deal with people who've no respect for EMERAC? And all these books, the dust's just no good for her at all."
Then Rodney flips out near the end, because what the hell! That little man with the accent is actually a brilliant engineer named Radek Zelenka who's defected from the USSR and is now in hiding in some Witness Protection type thing while he works on a secret government project (and working in Rodney's department under an assumed name, so just as Rodney's gotten to the point of remembering Radek's fake name, he has to learn the real one)! Who's been tricking Rodney into helping him with his secret government project by disguising the tough bits as stupid little puzzles! That absurdly earnest little mailboy--Fred, maybe? But that doesn't seem quite right--is actually Zelenka's contact with whatever shadowy government agency Rodney's been inadvertantly working for! That ridiculously annoying and attractive Sheppard who's been running around twinkling at Rodney and insinuating he's remodeling the place is the genius who built the artificial brain that's going to replace him! Except, oh wait, he is not actually about to be fired and replaced by an artifical brain, and wasn't that a whole lot of stress he just didn't need! And if someone doesn't get him some coffee and a Danish from that little bakery across the street right now to make up for the web of deceit they've weaved around him? Heads. Will. Roll.
Of course, Sheppard's been waiting to for him to take a breath, and then says, "So are you finished, or should I eat these chocolate croissants all by myself, because it would be a shame if they got cold considering all the trouble I went through to get ones that were fresh-baked. I mean, it's no Danish," and he shrugs and pulls back just as Rodney goes to snatch the little white sack from his hand. "Ah, ah. What do you say, Rodney?" They banter a bit over the croissant, and that's how it ends, Rodney with one hand on John's leg and the other snatching for the bag as John tries to prompt him through more things to say (ie., "And I'm sorry I was rude and called you a liar." "And I admit that you make better coffee than I do.")
It's not actually a story yet, obviously, just a sketch of things.
July 22 2005, 10:29:50 UTC 6 years ago
July 23 2005, 22:12:44 UTC 6 years ago
July 22 2005, 13:31:40 UTC 6 years ago
July 24 2005, 20:38:33 UTC 6 years ago
July 22 2005, 16:31:01 UTC 6 years ago
Deskset with John and Rodney! It's like a beautiful, beautiful dream come true!
Except, no, it isn't, because you haven't written it yet. Write it write it write it!
(I love that movie. And also John and Rodney. When I saw the second paragraph of this post, seriously, I squeaked aloud. If you need a beta or a person to argue violently over very minor casting bits, I'm here for you.)
Curfew shall not ring tonight!
July 23 2005, 22:11:40 UTC 6 years ago
Bwah!
If you need a beta or a person to argue violently over very minor casting bits, I'm here for you.
That would be spectacular, to both of them. Especially since I watched it last night and, uh, took four pages of notes, and now I'm waffling on some casting bits (I hadn't remembered Mike being quite that...manipulative, and Grodin's just too nice) and thinking of rearranging the structure slightly. SO what's good for you, email, AIM? Because I will totally take you up on this.
July 31 2005, 23:57:22 UTC 6 years ago
OK. I just got this. Because apparently LJ has decided *now* is an excellent time for sharing with me approximately 1/3 of the comment notifications I was supposed to be getting these past few weeks.
I don't know. Maybe we should go to therapy or something, because this passive-aggressive behavior is really hurtful to me, you know? I mean, LJ and I, we were *so close*, and to have it acting like *this* just makes me feel...
Um. Yeah. Tune in tomorrow for more on dysfunctional LJ/LJer relationships. (Oh. God. Worst. Bunny. Ever. That slash, it is a *dangerous* piece of punctuation, my friend.)
Anyway. I remain here and ready and willing and with the DVD in my hot little hands. Have you already, like, written this? Tell!
August 1 2005, 00:41:45 UTC 6 years ago
Ahahaha. Yeah, no. I'm a ridiculously slow writer, so I've uh, I've barely started. I'm still taking notes and stuff. At the moment I'm hung up on a couple minor points, mainly a) casting Rodney's pseudo-girlfriend (and I'm definitely thinking girlfriend--a relationship like that with a guy in that position in the company wouldn't really be possible), and b) working out timeline issues and the details of Radek's secret government goings on, because even though it's kind of goofy and completely arbitrary for me to put in, whacked out AU or not, it just makes it more Atlantis, y'know? Input is definitely still welcome.
Other than that, I've just been gathering little bits of scenes and snippets of dialogue that I think of here and there, and clarifying some other characterizations things. Miss Warner, the EMERAC operator lady, whom I'd initally thought of Carson for just because the idea of him getting all flustered when EMERAC went haywire was hilarious, is obviously--obviously, I don't know how I didn't think of it before--Kavanagh. And Carson would make an excellent Smithers.
Also, LJ/LJer is, like, the ultimate multifandom OTP.
August 1 2005, 20:12:39 UTC 6 years ago
Rodney's *Sumner*. Sheppard is Bunny. (John "Bunny" Sheppard, he shall forever be in this household, because I just really love the nickname. I keep thinking of all the ways he could've gotten it.) Because, see, Sumner comes in all totally smarter-than-thou, being completely indifferent to everyone, not caring about making friends or what other people think because he's *so damn superior*, and then - OK. There's that scene where Sumner gives Bunny the intelligence test, and when she aces it he, like, *visibly* thinks, "A woman with a brain. Wow, that's hot."
So what I think is that you should write it twice. Because it works both ways. (Um, yeah, I'm insane. But she *aced the [not-Mensa] test*! And he melted! That's John and Rodney, totally.)
Also, I think Bunny's (OK, OK, Rodney. But, seriously, he could be John, too!) horrible girlfriend is Miss Bates. I mean, I like Bates, so I feel sort of bad about that, but you've already cast Kavanagh.
SGA just does not have enough oily people in it.
Although, OMG. If you wanted to give Rodney *Sam* as his pseudo-girlfriend - no, no, wait, hear me out. Because, see, it's not that she's manipulative and sleazy; it's that she's totally involved with SG1, and even though she does like him, she's always leaving to go off-world when they have special events planned, and Jack shows up all, "What is *wrong* with *Daniel*?" And she says, "Sorry, sweetie, team crisis, gotta go." And eventually he realizes she's never going to accept his proposal, 'cause she's already married to the team, but by that time he's having dirty hot sex with Sheppard, so he's totally fine with that.
Also, I don't see Carson as Smithers. Just because Smithers makes me cross. It's a personal thing. (It may have something to do with the way he says "pussonel," actually.) I kind of like Carson as the brain-doctor, because of symmetry, but I think he could also be one of the reference girls. (Not Ruthie, though. Maybe Ford there?)
And is Weir Azae?
This is awful. This is the mutating bunny from hell, because now I have at least 8 AUs *of the AU* that I want to see. You will be writing Desk Set Sheppard/McKay for many years to come, if I have my say. (You totally deserve it for making me think about this for the past two weeks. I don't usually spend my time analyzing romantic comedies, and I may end up divorced for forcing my Best Beloved to analyze them right along with me while under the influence of a root canal.)
Also: LJ/LJer. It's the ultimate *soap opera* OTP. LJ gets all peeved - "You used to post every day! Now I'm lucky to hear from you once a week!" - and LJer is all, "You're screwing up my tags deliberately, I just know it. See if I care. I'm flirting with AIM. No, I'm flirting with BLOGGER!" And then LJ accuses LJer of being cold and uncaring and obsessed with *other people's LJs* and LJer accuses LJ of being stalkerish and creepy and totally passive-aggressive. So LJ goes into this whole silent treatment routine and refuses to let LJer see any comments for two weeks, thinking that will make LJer come running, saying, "Wait! I do need you!" But then LJer realizes she has actual *work* to do and gets - well, you see what I mean.
In short, it needs someone who is down with the angst and melodrama to write it. If I wrote it, it would be called Flexible Squares: a Love Story, in which LJ and LJer *think* they're breaking up, but really LJer is working day and night (oh my god, shades of "The Gift of the Magi") to buy LJ a paid account. And LJer thinks maybe she shouldn't, because LJ has gone *cold*, only it turns out he's just distracted because he's been working night and day on a new theme overlay to make himself especially pretty for LJer.
And then in the end they discover Flexible Squares and pick out a color scheme (it's LJ curtainfic!) and live in permanent (account) wedded bliss.
Your LJ, by the way, is *evil*. It is the journal of pernicious bunny infections.
*runs from bunnies, shrieking and waving hands in air*
August 3 2005, 23:39:02 UTC 6 years ago
Okay, see. I don't like you anymore. Because you're totally right. That hadn't even occurred to me, because when
For Bunny!John's pseudo-girlfriend, I'd peg Chaya. Now her, I can see her having John do her work flat-out and not even thinking there's anything wrong with it, stringing him along for a few years.
With two of them, Kavanagh can be Warner in the one with Sumner!Rodney/Bunny!John, and Carson Warner in Sumner!John/Bunny!Rodney (I really need to find a better way to label these)
I had thought about Sam as Bunny!Rodney's girlfriend before, only I got hung up on her getting him to work on the report for her--she's just not that sharky. But I guess I can see her brainstorming with him over lunch or whatever--because that's just what they do, like as a couple-y thing, y'know? they go be smart together--and then turning in stuff that really they both worked on without even thinking about it. (Of course Zelenka sees it as her taking advantage of him, and Rodney's trying to defend her 'cause he thinks she's really smart and just appreciates his genius and values his opinion, and Radek's all, "Yes, and she appreciates promotion genius opinion gets her even more.") And really, Rodney would let her walk all over him if it came down to it. She comes in all smart and confident and beautiful, makes plans and apologizes so earnestly when she has to cancel them because Azae!O'Neill is sending her to Chicago and promises she'll make it up it to him.
Man, I have so much more to say, but I have to sleep now. More later.
August 4 2005, 06:42:30 UTC 6 years ago
My work here is done.
Well, okay, no, because obviously now I have to prod and pester you until you damn well do write both. And, also, I can't shut up about this now.
Wow, I love the idea of Bunny!John's cold, uncaring, bitchy girlfriend being Chaya. Always more concerned with her people --> always more concerned with her status within the company. And, *yes*, she totally would make him do her work, and he'd be better at it, even though she's, like, ungodly smart and supposedly this massively perfect individual and he's this kind of fuck-up who got dumped off the management track when he - I don't know. Probably opened his mouth one too many times in a meeting with his direct supervisor, knowing John. But she appreciates that he's smart, and he likes that, and he also thinks she's pretty and just, like, this total *goddess*, and he's fairly amazed she wants to be with *him*. And Bunny!John's Peg - and can I just say that you're *so* right that we need better labels for these AUs? - is all, "That is not what amazes."
And, hmmm, who would Bunny!John's Peg be? I can't see Teyla in that role, because Teyla just doesn't have the sarcasm in her, and Teyla's smoother. I see her as the blonde one, the one who isn't Ruthie or Peg. And Ruthie is - Ford? But who the heck is Peg? (This is all your fault. You got me all convinced that Peg = Zelenka, and now my brain refuses to accept substitutes.) I don't know. Maybe Peg could be Beckett?
And I am loving Sam more and more as Bunny!Rodney's girlfriend. I think you have that perfectly pegged. So, so perfect, because in many ways this parallels her relationship with Pete, which, OK, I've never seen, but it's certainly similar to what *I* imagine about said relationship. Unfortunately, in this one, the gorgeous scenes with Sumner thoroughly trouncing Mike with his brain don't work; no one could do that to Sam, and Sumner!John wouldn't. Oh, damn, but he totally *would*, because he'd see it even more one-sidedly than Zelenka - this person is *using* Rodney, and that makes her bad. QED. But I don't want to see John trounce Sam!
Well, that's the great part about having two AUs running at the same time, because now I can just switch over to talking about the great and vicious personal satisfaction it would give me to see Rodney *win* against Chaya, which he totally would in this world. He'd have to.
And, oh god, you *have* to cast Catherine (from SG1, now, I'm getting my fandoms all screwed up) as the woman who was the company mascot/logo/whatever. At least in the Rodney!Bunny one, because you've already got the SGC all over the place in that one.
Oh, and are you doing the thing with the rain and the going back to Bunny's apartment? Because I think that *John*!Sumner does that deliberately - he wants to see what Rodney's place looks like, and, hey, if there's a bedroom right there, well, they still don't have to *use* it, although if they did - but *Rodney*!Sumner is just like, oh god, there's children in this car, get me out of here before I die of an allergic reaction to whining. And then he's in John!Bunny's (these labels will kill me, because now I've switched the order of them, oh god oh god *dead from confusion*) apartment, and he's, like, fixing the stove and recalibrating the fryer and making his grandmother's fried chicken and then eating way more than half of it. (That line about "Next time, have three" is *so Rodney*.)
OK. You need to write both of these AUs. Immediately. Starting now. *prods*
*departs, hyperventilating with enthusiasm and raving about Bunny!Rodney and Bunny!John and Rude!Sumner v. Socially-Skilled!Sumner [because part of the reason why Sumner works as either is that when he's trying, he's actually very good at the social thing - witness his flawless work on Mike - but he's mostly not trying; in John!Sumner, we see more of the skilled side, whereas Rodney!Sumner focuses on the rude or just not at all caring side and accomplishes his social coups by dumb luck and total obliviousness] and Pussonnel and the Aaze Assortment Pack*
August 4 2005, 12:30:34 UTC 6 years ago
Richard Sumner: John Sheppard Richard Sumner: Rodney McKay
Bunny Watson: Rodney McKay Bunny Watson: John Sheppard
Mike Cutler: Sam Carter Mike Cutler: Chaya
Peg: Radek Zelenka Peg: Carson Beckett
Sylvia: Teyla Emmagan Sylvia: Teyla Emmagan
Ruthie: Aiden Ford Ruthie: Aiden Ford
Miss Warner: Carson Beckett Miss Warner: Kavanagh
Mr. Azae: Jack O'Neill Mr. Azae: Elizabeth Weir
Maybe make Grodin Smithers?
Unfortunately, in this one, the gorgeous scenes with Sumner thoroughly trouncing Mike with his brain don't work; no one could do that to Sam, and Sumner!John wouldn't. Oh, damn, but he totally *would*, because he'd see it even more one-sidedly than Zelenka - this person is *using* Rodney, and that makes her bad. QED. But I don't want to see John trounce Sam!
I don't think John would trounce Sam either. He would do the pleasantly passive-aggressive thing hardcore--when she comes to Rodney's apartment after the storm and says, "I guess I should've called first." And John's all sympathetic sounding, "Yeah, you should probably do that next time." He wouldn't be malicious, but he wouldn't have any problem with making sure she realizes exactly what she's been taking for granted for so long.
Now Sumner!Rodney? Would thoroughly and openly trounce Chaya in a heartbeat.
Because I think that *John*!Sumner does that deliberately - he wants to see what Rodney's place looks like, and, hey, if there's a bedroom right there, well, they still don't have to *use* it, although if they did - but *Rodney*!Sumner is just like, oh god, there's children in this car, get me out of here before I die of an allergic reaction to whining.
I always thought that Sumner knew what he was doing a little more than he let on, just the way he says, "We will," when Smithers tells them to have a good weekend. He wasn't necessarily intending to sleeping with her that night, but he knew exactly what he was doing. John!Sumner would be the exact same way, and Rodney!Sumner, well you covered that. The children and their grubby little lollipop hands and snotty noses and he's going to catch a cold from the disgusting kid germs that will undoubtedly develop into pneumonia if he doesn't get home and get into something dry fast, and John rolls his eyes and tells him to stop complaining and get inside already.
I love the little differences that come about just from switching them. Whereas Rodney's just, "Next time, get three," and so forth.
Sumner!John's like, "You might want to get three next time though." And then Rodney does a double take when he realizes the implications of what John said.
"I wasn't exactly expecting company."
"Well next time you'll know better," John says, in that placidly chiding voice of his, the same one he uses in "Home" for, "804 years. That's how long it'll take us to come get you by puddlejumper."
Oh my god I love this.
August 5 2005, 15:32:19 UTC 6 years ago
Oh my god *yes*. This is fabulous. And I so love the way the story changes - the way the meaning of the same events changes - just based on who is Sumner and who is Bunny.
Like, if John is Sumner, that fabulous scene in the stacks - "I bet you write wonderful letters" - is sincere, but not quite honest. He's not kidding, but he's not quite as drunk as he's pretending; he's using the alcohol to cover his ass. If Rodney freaks out, well, he was drunk. He doesn't remember a thing. Plus, Rodney really was drunk, and John thought he'd better get him away from Legal before he did something he'd regret. And I can picture him smiling, leaning over to look at Rodney, putting his hand on his thigh - which for John is putting it all on the table - and saying, "I bet you write wonderful letters." From John, that's a purposeful declaration of love and intent.
But if Rodney is Sumner, the stacks scene is something he didn't plan. He honestly did have too much to drink, even though he hadn't intended to drink at all - hadn't even remembered it was Christmas until he got to work and everyone (for which read John!Bunny, because to Rodney that is everyone in that particular place of work. Who matters, anyway.) was all celebrating. And then he didn't mean to say anything to John, but he has no self control at all when he's drunk. And that thing about the model and the letters, well, it's just what comes out, although it isn't what he would have chosen to say. So he's drunk, blinking up at John, saying, "I bet you write wonderful letters."
I always thought that Sumner knew what he was doing a little more than he let on, just the way he says, "We will," when Smithers tells them to have a good weekend. He wasn't necessarily intending to sleeping with her that night, but he knew exactly what he was doing.
One of the things I love about that scene is that they're both fully consenting adults, and they're consenting to *becoming gossip*. Neither one of them expects anything to happen in her apartment, I don't think, but they're both smart enough to know what Smithers will see and detached enough not to care about being general gossip. And you are so right; Sumner clearly knew what he was doing.
John!Sumner would be the exact same way, and Rodney!Sumner, well you covered that. The children and their grubby little lollipop hands and snotty noses and he's going to catch a cold from the disgusting kid germs that will undoubtedly develop into pneumonia if he doesn't get home and get into something dry fast, and John rolls his eyes and tells him to stop complaining and get inside already.
Yes. John!Sumner would be so totally using the possibility of gossip to support his campaign against the enemy (Sam!Mike, in this case, who John doesn't hate or anything - it's just, she shouldn't be with Rodney). Rodney!Sumner would be totally blind to the implications of this until Chaya!Mike (who Rodney does hate) showed up, and then he'd go into full-out attack mode. Verbally, of course. John!Sumner would be more subtle - like he was in The Brotherhood - against Sam, just making careful little points - "O'Neill call off the Chicago trip?" - whereas Rodney!Sumner would be obvious, but no less devastating for that.
Maybe make Grodin Smithers?
Hmmm. In the Elizabeth!Aaze one, I figured Grodin would be Cathy - not so much with the ditz, no, but still totally plugged into the grapevine, totally an information resource, and totally pissed at Rodney!Sumner, who is *messing up his [well, actually, probably he'd have to be a her] office* and, even worse, *messing up Aaze's schedule*.
But when O'Neill is Aaze and Rodney is Bunny, yes, I think Grodin should totally be Smithers.
August 9 2005, 15:58:55 UTC 6 years ago
Like, if John is Sumner, that fabulous scene in the stacks - "I bet you write wonderful letters" - is sincere, but not quite honest. He's not kidding, but he's not quite as drunk as he's pretending; he's using the alcohol to cover his ass. If Rodney freaks out, well, he was drunk. He doesn't remember a thing. Plus, Rodney really was drunk, and John thought he'd better get him away from Legal before he did something he'd regret. And I can picture him smiling, leaning over to look at Rodney, putting his hand on his thigh - which for John is putting it all on the table - and saying, "I bet you write wonderful letters." From John, that's a purposeful declaration of love and intent.
The hand on Rodney's thigh and the line, and that sweet little moment of tension before Zelenka yells up because Sam's on the phone, and John doesn't move his hand until he pushes off to stand up, like that was what he'd intended to do the whole time.
And just before that, when they're waving down at the people leaving the department, and Bunny!Rodney's drunk and doing that thing where his eyelids go a little droopy, talking about the Mediterranean cruise, and when he asks if it's Sheppard's first time, John leans over all conspiratorially and says, "Yeah, but don't tell anyone, though. I'm the Captain." And Rodney nods very seriously.
Yes. John!Sumner would be so totally using the possibility of gossip to support his campaign against the enemy
Bwah! Absolutely. Make some comment to someone about Rodney's bedroom--because Rodney gave him some dry stuff to wear while he was there is all, you understand. Doing nothing but telling the absolute truth, but knowing how it sounds, knowing everyone in the building will hear it by lunch time, including Sam.
One of the things I love about that scene is that they're both fully consenting adults, and they're consenting to *becoming gossip*.
Oh, yeah. Bunny actually has a line, ""You'll never get a cab and we'll be at the top of the grapevine gazette Monday morning anyway." So she definitely knows what she's doing too. Sumner just enjoys it a little bit more.
August 9 2005, 15:59:57 UTC 6 years ago
Oh.. Rodney drunk would be something else, the opposite of, oh, everyone else. He's always open emotionally in a lot of ways, but it's always the bad stuff: he's angry, he's afraid, he hates stupid people. It makes sense for someone as defensive as Rodney is--the things he likes are the ones people can use against him. But when he drinks, he's vulnerable, because he sort of--forgets to be mean for a while. He lets the nice things slip out instead.
He does it to John, as Sumner, and to Sam as Bunny. Something about how much he doesn't want her to leave when she tells him about the promotion. And maybe something about Sheppard too. Since we've already established that she's not as heinous as Mike, it would be nice if she were a little more justified in leaving Rodney's office the way he leaves Bunny's. She tells Rodney about the promotion and moving to the west coast, he tries very manfully to say something mature about being (what he thinks is) being dumped until Sam reassures him that of course Rodney's coming with her--with his credentials, they can find whatever kind of reference or R&D job he wants out there. And he rambles a bit (part typical Rodney, and part still drunk) about how much really he does like his job no matter how much he bitches about it, and he's waving his hand out the door and going on about how he can't leave his people and he can't leave--and he stops moving and he's just sort of stopped and focused on John, who's playing the bongos. He doesn't say anything else, but Sam's smart, she twigs immediately and goes into some thing about how she's been waiting for Rodney all this time (when he's constantly talking about, you know, a commitment and she's all careercareercareer , and how she believed his whole line about the storm when she found them at Rodney's apartment, and Rodney gets pissy that Sam actually thinks he lied to her and says something rude about her intelligence (the dumb blonde line strikes again?) and Sam leaves.
I had the same idea about Markham and/or Stackhouse for mailboys, although I think I'm going with Markham, just because.
Oh, by the way.
Your LJ, by the way, is *evil*. It is the journal of pernicious bunny infections.
Thank you. :)
August 4 2005, 22:10:57 UTC 6 years ago
Let's try it this way.
Richard Sumner: John Sheppard
Bunny Watson: Rodney McKay
Mike Cutler: Sam Carter
Peg: Radek Zelenka
Sylvia: Teyla Emmagan
Ruthie: Aiden Ford
Miss Warner: Carson Beckett
Mr. Azae: Jack O'Neill
Richard Sumner: Rodney McKay
Bunny Watson: John Sheppard
Mike Cutler: Chaya
Peg: Carson Beckett
Sylvia: Teyla Emmagan
Ruthie: Aiden Ford
Miss Warner: Kavanagh
August 5 2005, 15:35:11 UTC 6 years ago
Also, I think the mail boy should be either Markham or Stackhouse, at least in AU2, when John is Bunny. In AU1, he should probably be, um, Seiler? Is that his name? I don't know SG1 canon at all, just the fic.
July 27 2005, 03:52:37 UTC 6 years ago
July 29 2005, 14:49:06 UTC 6 years ago